About TREVOR

Leukemia fighter. Son of The Most High. Husband. Father. Man.

2014 Challenge, Week 48 Landscape – Cityscapes/Townscapes

You guys have been doing such a nice job lately. As you may recall, I’ve been proposing themes of the landscape variety, all year. Many of the times, I’ve seen some comments regarding the inability of some to get out into nature for some of the landscapes. So this week, I’m gonna make it a little easier for us all. We’ll be shooting a cityscape, or a townscape for those of you not too close to a city.

Downtown Cityscape San Francisco

“Downtown Cityscape San Francisco”, by David Yu

 

The principles are the same as a landscape. Wide-angle is better. Including as much varied detail will help keep it complex and fun. As you can see from some of the examples, dusk and evening shots might give you access to one very special addition you haven’t been able to use in our past landscapes, and that’s artificial light! Slow enough of a shutter speed and you can even get nice looking light-painting from moving automobiles and their lights. But a daytime shot will work just fine. Conceive what you want, try to plan for it, and execute!

San Diego Cityscape

“San Diego Cityscape”, by Justin Brown

 

I’d recommend a tripod for this one, so you can work with slower shutter speeds, and smaller apertures (yet larger numbers). A smaller aperture will allow you to have a much larger focal plane. That’s best for any sort of landscape, including cityscapes. You might also consider an Neutral Density filter, if you have one, or can get one. That’ll allow you to have even slower shutter speeds, allowing more light movement, etc. Here’s a good article to teach you better than I can.

Transamerica View 20141105

“Transamerica View 20141105″, by Jeremy Brooks

The rules are pretty simple:

  • Post one original (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge.org. or #photochallenge2014.
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2014 Photo Challenge is fun and easy.
山本園芸流通センター

“山本園芸流通センター”, by m-louis .®

 

2014 Challenge, Week 44: Landscape – NIGHTTIME

This week’s theme isn’t a whole lot different than last week’s, other than that you need to wait at least and hour later. You may find that much of the nighttime landscapes are primarily starscapes. Don’t be intimidated by that.

Lead me to Longs Peak

“Lead me to Longs Peak”, by David Kingham

You don’t need to get distracted with worrying about capturing star trails, etc. If you find your sweet spot of a shutter speed, that captures enough light, but the stars are still dots instead of trails, don’t worry.

Yosemite - Starlight Hike

“Yosemite – Starlight Hike”, by Jeff Krause

Now, you’ll need your tripod for this sort of shooting, there’s almost no way of avoiding it. Even if you shoot this with your smartphone, you’ll need a way to stabilize the phone.

F I F T E E N

“F I F T E E N”, by Bryce Bradford

One tremendous benefit we all will get this next week is that the full moon is Thursday, the 6th. But all the other days this week will be nearly full, so you should plenty of available light to capture some nice nighttime landscapes. Do me a favor, and try to find a location that will not have any manmade structures. This isn’t just for the light, but also because a true landscape shouldn’t include buildings and cars, etc.

The Night at the Cliffs

“The Night at the Cliffs”, by Luis Argerich

I’m going to copy a few things from last week, that would help you this week as well…

  1. Steady tripod
  2. Camera Shutter Remote

However, if you don’t have a remote, whether wireless or cabled, you can always just take a photo triggered by the built in timer.

The rules are pretty simple:

  • Post one original (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge.org. or #photochallenge2014.
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2014 Photo Challenge is fun and easy.

2014 Challenge, Week 40: LANDSCAPE – SOLO

Right up front I’m going to explain the “solo” concept, since everyone is probably wondering what I mean.

007/365

Untitled, by Kristina

I mean I want to see any sort of landscape, preferably as wide as you can shoot, but I’m looking for a single object to stand out. A tree, creek, or even a road. Something distinctive to the range of the image. Now, make a point of not including multiples of the object.

An Electrifying Landscape....

“An Electrifying Landscape…., by Tony Hammond

So if you have a field of cows, just one. Same with hay bails or trees, or whatever you choose for your single object.

landscape

“landscape”, by Ewok Jorduman

Now, landscapes should normally not include manmade objects. Feel free to fudge that a little for this one, it should make it easier. Also, for a bit more challenge, consider your composition, and even the single object’s contrast with the foreground and background, so that it sticks out. I chose the word “SOLO”, instead of just a description because I’m looking for your single object to stand out so much in the image, that it’s your solo; think music.

Sun on the landscape

“Sun on the landscape”, by Zak Richter/NPS

The rules are pretty simple:

  • Post one original (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge.org. or #photochallenge2014.
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2014 Photo Challenge is fun and easy.
Norway Landscapes #5

“Norway Landscapes #5″, by Stéphanie Kilgast

2014 Challenge, Week 32: “Tilt Shift” Quasi-Landscape

Ok my friends, it’s time for a brief post from me. I’ve been getting decent rest, and really wanted to contribute another post. My own participation has been limited lately, and I think this one will let me get another theme under my belt.

Montana del Oro tilt-shift

This weeks will require a little forethought, but also some post processing. I urge you, don’t shy away because of that need.

I’ll post a link or two for tutorials, and suggest a few apps as well.

Tilt-Shift

This whole Tilt Shift thing is nothing to fear. In fact, you may just find that you’ll enjoy this new skill for unique images, and start creating many more of your own.

To stick with the landscape theme, start there. But don’t worry about a natural landscape if you don’t want. This technique works well with all sort of wide landscapes. Urban, suburban, it doesn’t matter! You may find a preference, but that’s up to you.

Tilt Shift Bridge

To be technical, you should know that a true tilt shift photo is actually created with the lens. How, I could try to explain, but I don’t really understand. Read up here for what I don’t know.

When you’re done, you’ll have this special toylike miniature-looking scene, that should really be transformed.

This was the first tutorial I used, I believe: http://visualphotoguide.com/tilt-shift-photoshop-tutorial-how-to-make-fake-miniature-scenes/

Here’s a tutorial for GIMP: http://www.scottphotographics.com/how-to-fake-a-tilt-shift-miniature-photograph-in-gimp/

For a post with several apps for iOS: http://digital-photography-school.com/tilt-shift-apps-for-the-iphone/

And if the whole thing is too much, Instagram can pull off the effect for you. Here’s several tips on getting that done well: http://mashable.com/2012/11/29/instagram-tilt-shift-tips/

Here is the app I own now that does the job just how I like: http://www.tiltshiftapp.com/
Or here: https://itunes.apple.com/us/app/tiltshift/id579435992?mt=12

Fake Tilt Shift Attempt 1

**Update**

So sorry folks, I forgot to add our Guidelines. Please don’t disregard these, they help our little community remain focused.

The rules are pretty simple:

  • Post one original (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge.org. or #photochallenge2014.
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2014 Photo Challenge is fun and easy.

 

2014 Challenge, Week 24: LANDSCAPE – SUNSET/SUNRISE

I’ve been almost completely absent, for quite a while. Jeremy, Gary, and Steve have carried my commitments and this blog really well. And I thank them. Unfortunately, they’ll be stepping up again to carry us through the next few months, probably without me at all. I truly am grateful for their help. Additionally, these men have been good friends through my unique journey. Most of you do not know, but I was diagnosed with Leukemia almost a year ago. Last year’s treatment went well enough, and I was in remission. In April of this year I fell out of remission and I am next week going back in for a bone marrow transplant. Super sorry to start off this post with suck a downer. I’m not seeking sympathy or pity. I just want to share with you all what’s going on with me. Feel free to message me on any of our social networks if you have questions, etc, about this. I really want to keep PhotoChallenge.org focused on our challenges and your photographs!

Sunset through the Arch

“Sunset through the Arch”, by katsrcool

This week I’m looking forward to what you create! If you recall, I’m having you all focus on landscape photographs. This week I want to see either a sunset or sunrise photo, with a wonderful landscape framing it up. Consider many of the past landscapes that we’ve done, in order to get a decent balance. Maybe even go back and read the other posts, to pick up on some of the techniques.

Lookout

“Lookout”, by Juan Lois

Consider that either a sunset or a sunrise photograph will heavily depend on the captured sky. You might want some clouds or contrails to give the sun’s light something to colorize. But don’t forget that the setting and rising sun’s light, being so distinct and often super intense, can colorize other things well too, like the focus of your landscape; mountains, trees, and even the bulk of a rolling landscape will all be transformed.

Layered Lone Pine Light

“Layered Lone Pine Light”, by Howard Ignatius

Many wonderful natural objects can be transformed quite nicely when silhouetted against a distinct sky. So, consider how different your landscape may be exposed, when it’s all so underexposed that it’s black.

Barras do horizonte

“Barras do horizonte”, by Eduardo Amorim

As always, please follow our guidelines:

  • Post one original (Your Image) shot each week per theme posted on this blog to Google+Facebook, or Flickr (or all three). Tag the photo #photochallenge.org. or #photochallenge2014.
  • The shot should be a new shot you took for the current weekly theme, not something from your back catalog or someone else’s image.
  • Don’t leave home without your camera. Participating in the 2014 Photo Challenge is fun and easy.

2014 Challenge, Week 13: LANDSCAPE – VANISHING ROAD

As I look at some of my own favorite landscape photographs, I tend to migrate to certain styles and/or certain subjects. I think the same could be true for many of us, with all sorts of types of photos. So as I looked at my own faves, I found that one common subject was some sort of road.

Take the black road

“Take the black road”, by Trevor Carpenter

If you didn’t know already, lessons from more traditional forms of art can lend themselves to the photographer. A study of Rembrandt’s paintings can help the portrait photographer. The impressionists can help us with composition. And on and on. One of the most basic of art projects is the vanishing point. Many who take illustration, sketching, and/or basic art tend to do a few projects with a vanishing point.

Verge

“Verge”, by Daniel Zedda

As photographers, we can look out for opportunities to highlight an existing vanishing point. And for this landscape theme, I’d like you to specifically apply the vanishing point concept to a vanishing road, on your horizon. Here’s a brief Google+ post about using vanishing point in your photography, by Brian Matiash.

To be specific, I’m looking for you to compose a traditional landscape, but deliberately include some sort of road. However I want you to compose the image with the road traveling off, away from the camera, towards a vanishing point. Pay attention to balancing where you place the horizon. Sometimes is just works to have the horizon bisect the photo. Most of the time, however, it’s a little freshman to do so. Experiment with having the horizon be high, so that you capture more foreground. Or, place the horizon low, to include more sky. Either way, your photos tend to be nicer, when the horizon is NOT in the middle.

Road to Rome

“Road to Rome”, by Tommy Clark

As always, please post/share a photo you take THIS WEEK. We love your old photos, but not for the challenge. The point of the PhotoChallenges is for you to set out to create a new photo, to share with us all this week. Share them with us all at our Google+ Community, Facebook Group, and/or our Flickr Group.

The Road to Ribblesdale

“The Road to Ribblesdale”, by Luc B

2014 Challenge, Week 5: LANDSCAPE – SKY

And now we’re back to my focus, landscapes. For our first landscape, we focused on finding a distinctive tree to include in your landscape. Hopefully that forced you to think a little harder than you might have, in composing your image. Many of our themes are designed to do just that, help push you a little harder at making the best photograph you can. With each of the four of us emphasizing something different, by the end of this year, I truly hope that you’ll look back at your work, and see some maturity in the results.

“Shell Beach Sunset”, by Trevor Carpenter

Wonderful landscapes do not all have exactly the same elements. Yet, they do often share many characteristics. While a landscape photograph doesn’t need to be entirely nature, most often it has captured nature wonderfully.

“Mongolia Landscape”, by tiarescott

For this week’s landscape focus, I want you to consider the sky. The sky can and should be a serious consideration for a landscape photo. That doesn’t mean that the sky is or should be one of the larger elements. You might choose to omit most of the sky, and fill the frame with a vast countryside. But the slice of sky at the top, makes all the difference. Or maybe the giant, negative-space-inducing blue sky is 90% of your image, with a simple mountain line along the bottom of the frame?

“Any landscape is a condition of the spirit.”, by Rachel Sarai

No matter how you include the sky, it is usually distinctive.

“HDR Landscape in Sweden”, by Daniel Carlbom

I want you to make the sky the majority of your image, for this week’s photograph. Please fill more than 50% of the frame with it. Obviously what’s in the sky isn’t dictated by us, the photographer, but how you frame it with your landscape beyond can make all the difference. Maybe the weather in your area will give you something dynamic to work with? Or maybe the typically vast and blue sky is all you have to work with, like me? If you really cannot get it the way you want, maybe the night time sky will give you something else. Just don’t forget a tripod for that!

“The Night of the Fireballs”, by Luis Argerich

As always, please share your one final photograph with us on at least one of our social media groups, found at Google+, Facebook, or Flickr.